This unlocated frame is known through a photograph in the Dawson Dawson-Watson family archives.

This unlocated frame is known from a photograph in the Dawson Dawson-Watson family archives.

It was the original hand-carved frame for the painting The Glory of the Morning that won the National Prize in the 1927 Texas Wildflower Competitive Exhibition held in San Antonio at the Witte Memorial Museum.

This unlocated frame is known from a photograph in the Dawson Dawson-Watson family archives.

This hand-carved frame was originally exhibited with the painting Flowers of Silk in the 1928 San Antonio Competitive Exhibition. The painting was awarded Hors de Concours in the Group 1 Texas Wildflowers category.

This unlocated frame is known through a photograph in the Dawson Dawson-Watson family archives.

It was the original hand-carved frame exhibited with the painting Solomon in All His Glory… in the 1929 San Antonio Competitive Exhibition. The painting was awarded Hors de Concours in the Group 1 Texas Wildflowers category.

The inscription at the top of the frame reads:

“Solomon in All His Glory Was Not Arrayed Like One of These”

This image is from a photograph in the Dawson Dawson-Watson family archives.

It is the original hand-carved frame for the painting The Bouquet that was awarded 1st Prize in the Group 4 Texas Wildflowers category in the 1929 San Antonio Competitive Exhibition held at the Witte Memorial Museum.